What do Audi TT and Access Virus TI Desktop Whiteout have in common? My answer to this question is they both make me fall in love with their appearance without the need of hand-on experience. And, they both are expensive German-designed products.

I’ve just read Rob Bridgett Special: Prototype [Exclusive Interview] by Miguel Isaza on designingsound.noisepages.com. Rob talks about his roles in sound team of this game and also give many good practical suggestion for working with game audio.

I’ve been a fan of “Sound for Picture” in Mix magazine for years. Not only because of the articles related to sound design, but also many videos those reveal the back-office of many blockbuster flicks. These videos are produced by SoundWorks Collection, led by Michael Coleman.

This was a project to live broadcast mini-concert of iHear band from Wawee coffeeshop on internet. The project was led by @Hongsyok and I was assigned to handle audio production; from system design to live mixing.

Since most of visual content in game is computer generated, it means almost everything we hear was created in post-production. Let’s watch this trailer and imagine how exciting the sound design/audio post-production was.